LASER HOLOGRAPHY
CAROL ZIMMERMAN HYDE PARK CAREER ACADEMY
6220 SOUTH STONY ISLAND AVENUE
CHICAGO, ILLINOIS 60637
1-312-947-7237
OBJECTIVES:
To make a Laser holograph and to understand why it works.
MATERIALS:
1 3-milliwatt Neon Helium Laser
3 rubber inner tubes (18 inch diameter) from a trailer
1 slab of marble (20 inches by 23 inches) possibly a tombstone
1 wooden sandbox (20 inches by 23 inches) filled with sand
1 -4mm focal length lens in a lens holder
1 -8mm focal length lens in a lens holder
1 white die to use as an object
1 object support
1 film holder consisting of 2 glass plates and 2 clips
1 white screen
1 black screen
non AH holographic film
green light
developer for holographic film
bucket and continuously running water
6 plastic clothespins with hooks
rubber gloves
2 wooden blocks, slightly smaller than the film holder
1 rubber squeegee, of the type window washers use
STRATEGIES:
The laser must first be turned on since at least fifteen minutes must be
allowed to permit the laser sufficient time to warm up. During this time the
frequency of the light is changing. Arrange the inner tubes on the table so that
the marble slab may be securely balanced upon them. Place the sandbox securely
upon the marble slab. Because of size constraints the lab will be set up on a
diagonal inside the sandbox. Set the laser in the sandbox with the back in one
corner and the light aimed at the diagonally opposite corner. Place the two
lenses in front of the laser so that the light shines through the center of both.
They must be as close as possible to each other without actually touching. Allow
enough space between the laser and the nearer lens holder so that the black screen
may be inserted or removed without jarring either. Place the object support in
the corner diagonally opposite the laser with the object on it so that it is
completely bathed in the light from the laser. At any time while the materials
are being aligned in the sandbox the sand may be rearranged to facilitate their
proper placement. Place the white screen in the film position directly in front
of the object, between the object and the light. Focus the light so that the
sharpest possible circle of light is displayed on the screen. Remove the white
screen. Place the black screen between the laser and the near lens holder. DO
NOT TURN OFF THE LASER. Open the film package and place the package, the pieces
of the film holder, a plastic clothespin, and the opened container of developer
where they may be conveniently found in the dark. Start the water running into
the bucket. Turn on the green light and focus it on the sandbox. Make sure that
all windows are completely covered. Turn off all of the lights except the green
light. Allow several minutes for your eyes to become accustomed to the dark.
Take out one film and place it in the film holder. Press the film holder between
2
the wooden blocks to remove all air, which could cause movement of the film and
ruin the holograph. Carefully place the film holder in front of the object in
exactly the same spot where the white screen had been. There will be a mark in
the sand. Carefully lift the black screen out of the sand, being sure that it
still covers the light from the laser. Wait approximately one minute, so that all
vibration in the sandbox ceases. Completely raise the black screen for two
seconds, exposing the film, then lower the screen into the sand. Put on the
rubber gloves. Take the film out of the holder, clip one corner with the
clothespin, and place the film in the developer for one to two minutes. You may
take the film out of the development solution to check on its progress. The film
will darken as it develops. When the developing is completed, place the film in
the bucket of water with the hook over the side. It should stay there
approximately five minutes. Squeegee the film dry and a preliminary viewing may
be taken by shining the laser through the film and viewing the holograph from the
same side of the film as the laser. The object will appear to be behind the film,
in its original location.
The image is formed when the light rays directly from the laser and the light
rays bouncing off the object strike the film simultaneously, forming a pattern of
constructive and destructive interference. The light coming through this
interference pattern is viewed by the eye exactly as the eye would view the light
bouncing off the original object. In addition, if one views the holograph from a
different angle one will appear to be viewing the original object from that
different angle. A green light is used because the holographic film, designed to
be sensitive to the red laser light, appears not to recognize the wavelength of
the green light.
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